
Why plywood, and why the burn marks stay
Every material argues with the laser differently. Here's what we look for in a sheet — and why we stopped sanding the edges clean.
Read the storyThe landmarks, the materials, and the small decisions behind each lamp — written by the person who makes them.

Every material argues with the laser differently. Here's what we look for in a sheet — and why we stopped sanding the edges clean.
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Yerevan's giant limestone stairway was meant to link the city below with the hills above. We turned its geometry into a lamp.
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A first-century colonnade that survived an earthquake, a demolition and a reconstruction — and still reads as one clean line of shadow.
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It stands outside the country's borders, yet it appears on the coat of arms, in paintings, and in half the windows of Yerevan. Engraving it meant deciding what to leave out.
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